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Posts Tagged ‘X-Men’

Disney Children’s Movie Promotes Homosexuality

By Jerry A. Kane

Disney’s remake of its children’s film “Beauty and the Beast” has a modern makeover with an updated socially progressive subplot. The film includes an “exclusively gay moment” scene between villain Gaston and his main sidekick, LeFou.

“LeFou is somebody who on one day wants to be Gaston and on another day wants to kiss Gaston. He’s confused about what he wants. It’s somebody who’s just realizing that he has these feelings.”—Bill Condon, “Beauty and the Beast” director

The gaystapo’s relentless effort to sway the masses to adopt its homosexual agenda has now reached critical mass and is seriously damaging young children. Disney has joined with the gaystapo to promote a lifestyle characterized by promiscuity, instability, and serious health effects to children.

Engaging in homosexuality was once considered by society to be a sinful, shameful, degenerate act, but now it doesn’t raise an eyebrow; it’s just 1 of the 12 sexual orientations listed on OKCupid.

Throughout history roughly 2 percent of women self-identified as lesbian or bisexual; today, nearly 15 percent of young women and girls self-identify as lesbian or bisexual.

“When teenage girls feel free to engage in blatantly sexual behavior with each other, we can be sure that some major boundary of sexual morality has been gravely damaged. The natural attraction between girls and boys has been so confused by public celebration of homosexuality and the various eroticisms of everyday life, that young people are now confused about something as simple and basic as heterosexual identity.”— Albert Mohler, President Southern Baptist Theological Seminary.

Recent studies have found that half of the United Kingdom’s young adults and a third of America’s young adults said they aren’t “100 percent heterosexual.” It was also found that the older a person is the less likely he or she is to have engaged in same-sex activity.

The homosexual a.k.a. LGBTQ community is growing larger all the time. Most Americans are clueless about how kids’ movies and television shows have been indoctrinating children to accept homosexuality. The X-Men movies have been doing it for years. The movies are an allegory about homosexual culture and homosexual rights, and the mutant superheroes are “stand-ins” for homosexual, lesbian, and transgender people.

The endgame for Disney and 20th Century Fox goes far beyond social acceptance. They want children to embrace homosexuality as normal and desirable.

“By representing same-sex attraction in this short but explicitly gay scene, the studio is sending out a message that this is normal and natural-and this is a message that will be heard in every country of the world, even countries where it’s still socially unacceptable or even illegal to be gay … It’s a step in the right direction and I applaud Disney for being brave enough to make it-and in doing so hopefully helping to change attitudes and bring about real social progress.”—Matt Cain, Attitude Magazine editor-in-chief

In other words, “Beauty and the Beast” and the X-Men movies are propaganda films meant to indoctrinate children, corrupt their morals, and entice them to experiment in homosexual sex. And based on the exponential rise in homosexual and bisexual behavior among millennials and younger people, it seems to be working quite well.

“They can’t cure us. You want to know why? Because there’s nothin’ to cure. Nothing’s wrong with you. Or any of us, for that matter.” – Storm, X-Men: The Last Stand



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The X-Men comics and movies are really an allegory about homosexual culture and a stealth way to introduce homosexual propaganda to the general public. The mutant superheroes push a homosexual rights message and are in fact “stand-ins” for homosexual, lesbian, and transgender people.

“Since the comic appeared in the 60s, pop-culture critics have drawn parallels between the mutants’ struggle to gain wider acceptance for being genetically ‘different,’ and the gay community’s struggle for acceptance and recognition.”

Most of the homosexual propaganda in the X-Men movies can be attributed to Bryan Singer, the out-of-the-closet homosexual who directed “X-Men,” “X2: X-Men United,” and “X-Men: Days of Future Past,” and produced of “X-Men First Class.”

“[W]hat better way than in a giant, action, summer event movie! I could think of no better place to spill out one’s own personal problems and foist them onto the world … “—Bryan Singer

The accused pederast director/producer adapted his personal feelings of being alienated and ostracized as a homosexual to the homosexuality/homophobia subtext of the movie series.

“[Y]ou feel kind of alone in the world because you’re separate from everyone else. … A gay kid doesn’t discover he or she is gay until around puberty. And their parents aren’t gay necessarily, and their classmates aren’t, and they feel truly alone in the world and have to find, sometimes never find, a way to live.”— Bryan Singer

The X-Men movies have pushed homosexual issues into the mainstream. The parallels between the mutants’ struggle to gain wider acceptance for being genetically different, and the homosexual community’s struggle for acceptance and recognition are demonstrably obvious.

“Like queers, these mutants discover their ‘difference’ during puberty and struggle to hide it from friends and family. They forge their self-identity when they meet others like them. And they grow up learning to fight the system that shuns and persecutes them.”—Helmi

For the X-Men, mutation is a pressing social issue and telling the world one is a mutant is a serious matter when most people are “mutantphobes.” “X2: X-Men United” presents a coming-out scene, complete with confusion and mutantphobia, when Bobby Drake, aka Iceman, and fellow mutants visit his family.

The “Have you ever tried not being a mutant” scene is the rhetorical equivalent of a homosexual, lesbian, or bisexual teenager’s “coming out” ritual. Like members of the homosexual community, mutants who go public risk family rejection, political and social marginalization, and physical violence.

Singer and the X-Men screen writers are portraying X-Men muntantcy and their struggle for acceptance in society as analogous to the homosexual community’s quest to make homosexuality the moral equivalent of heterosexuality.

In the article “Making Gay Sense of X-Men,” homosexual author William Earnest, writes “Singer and his screenwriters equipped X-Men and X2 with the rhetorical stealth needed to fly below the gaydar of many critics and audience members.”

In a Facebook comment, “X-Men: First Class” screenwriter Zach Stenz posted, “I helped write the movie, and can tell you the gay rights … allegory stuff was put in there on purpose.”

X-Men: First Class, the prequel for “X-Men” and “X2: X-Men United,” continued the subtext messages of mutants as an allegory for the homosexual community. When Hank McCoy’s coworkers find out that he’s a mutant, they ask him why he hid his identity. McCoy tells them, “You didn’t ask; I didn’t tell,” which of course is an obvious reference to the military’s now defunct policy of “Don’t Ask Don’t Tell.”

To lure openly gay activist actor Ian McKellen to play Magneto, Singer told him that mutants were comparable to struggling homosexuals and that X-Men is really about lesbain, gay, bisexual, and transgender people.

“I think he expected that I was going to consider it a not posh-enough job. I thought he was right. It’s not just a fantasy story. It’s a parable.”—Ian McKellen

McKellen, an open homosexual and co-founder of the LGBT gay activist group Stonewall, admits that when he stays at hotels he tears out pages from the Bible that condemn homosexuality. McKellen told “Details” that a married couple had sent him a package containing 40 pages torn from Bibles attached to a string with instructions to be hung in the bathroom and used for toilet paper.


 

 


In their book, After the Ball: How America Will Conquer Its Fear and Hatred of Gays in the 90’s, Marshall Kirk and Hunter Madsen describe a 3-stage plan to further the homosexual agenda and homosexualize America.

The first stage is to desensitize the public:

“The main thing is to talk about gayness until the issue becomes thoroughly tiresome . . . If you can get [straights] to think [homosexuality] is just another thing—meriting no more than a shrug of the shoulders—then your battle for legal and societal rights is virtually won.”

The second stage is to silence all expression and support for dissenting opinion; and the third stage is to convert the public by spreading propaganda via the media to the nation.

To get a better idea of how well the propaganda has been working, the X-Men film series has grossed over $3 billion worldwide, making it the 12th highest-grossing film franchise of all-time, and the sad reality is very few of the millions who saw the films knew that they were being indoctrinated in subversive homosexual propaganda.

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In August 2011, former child star Corey Feldman told ABC’s Nightline in an interview that Hollywood’s number-one problem and big secret “was and is and always will be pedophilia.”

“It’s something that will be addressed in my inner soul for the rest of my life, and it’s something that truly affects me,” Feldman told GQ magazine.

In April of this year, Michael Egan III alleged that he was one of several underage boys who were sexually abused in a Hollywood sex ring in the 1990s. According to the Los Angeles Times, Egan filed a federal lawsuit accusing movie director Bryan Singer “of drugging and raping him in 1999 when he was 17 years old.

Hollywood has a problem with the sexual exploitation of children,” said Jeffrey Herman, Egan’s lawyer

Egan claims that Singer forcibly sodomized him, and that the openly homosexual director of the X-Men action films attended sex parties in Encino, California, at the estate of Marc Collins-Rector, a digital entertainment company executive who Egan claims lured him into the sex ring with promises of auditions for acting, modeling, and commercial jobs.

According to Egan, Collins-Rector was surrounded by a large network of homosexual pedophiles, and that he repeatedly threatened Egan saying that “We control Hollywood and we will eliminate you.”

In 2004 Collins-Rector was convicted of transporting five minors across state lines to engage in sexual activities. He pleaded guilty to eight charges of child enticement and is now a registered sex offender.

Compared with the numerous stories of sexual abuse allegations against Catholic priests, the broadcast and cable news networks have been virtually silent when it comes to reporting Egan’s claims of rampant child molestation in the entertainment industry. To their credit, the Los Angeles Times, the New York Times, and USA Today did publish brief reports on the filing, but the Washington Post ignored the lawsuit.

It looks like the major media have embraced the “what happens in Hollywood, stays in Hollywood” mentality when it involves the existing subculture of pedophilia in Hollywood. For homosexual directors and other adults in the entertainment industry, sexually exploiting and abusing underage boys is after all a counter-cultural virtue.

And what’s even more appalling is that Americans care more about seeing the latest X-Men film than they care whether or not the horrific criminal allegations against its director are true.

Karl Marx got it all wrong; it’s entertainment, not religion that is the opiate of the masses. Well, it is in the United States anyway.


Corey Feldman and Michael Egan III Accuse Hollywood of Child Sex Abuse

This 3:53 youtube video features clips of whistleblowers Corey Feldman and Michael Egan III alleging that homosexuals in the entertainment industry have been sexually exploiting and abusing underage boys.

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