Todd Starnes reports the LGBTQ movement has officially taken over the Austin, Texas, Independent School District. According to Starnes, district’s trustees voted on Tuesday October 29, 2019, “to implement a pornographic sex education policy that includes instruction on anal sex and how to place a condom on an erect penis.”
The school district will also instruct students to use gender inclusive language and to avoid using words like “mother” or “father,” which refer to only male or female identities.
In addition, elementary and middle school students will be taught how to bypass parents to get abortions or birth control pills.
The overwhelming majority of the more than 100 citizens who spoke at Monday night’s district meeting voiced opposition to the sex education policy.
Those who spoke in support of the policy included a nine-year-old fourth-grader, the parent of a transgender second grader, someone who identified as “they/them,” (as in “my name is Legion: for we are many”) and a female wearing a t-shirt with the words “I met God. They’re queer, y’all.”
It was clear from the outset that most of the trustees had made up their minds before the debate began. Many of them had LGBT and Transgender flags on their desks.
According to Austin ISD spokesman Scott Thomas, the school board voted unanimously to pass the new Human Sexuality and Responsibility curriculum because a survey of family student primary contacts showed overwhelming support for it.
However, only 10.5% of family student primary contacts actually responded to the survey, which means nearly 90% of family student primary contacts did not voice their opinion on the new curriculum.
Thomas did not respond to a Daily Caller request for comment as to how the survey could be representative of the population when nearly 90% of family student primary contacts did not respond to it.
Obviously the Austin school district is recruiting little boys and little girls for the gaystapo. The relevant question now is what are the parents and the community going to do about it?
Disney’s remake of its children’s film “Beauty and the Beast” has a modern makeover with an updated socially progressive subplot. The film includes an “exclusively gay moment” scene between villain Gaston and his main sidekick, LeFou.
“LeFou is somebody who on one day wants to be Gaston and on another day wants to kiss Gaston. He’s confused about what he wants. It’s somebody who’s just realizing that he has these feelings.”—Bill Condon, “Beauty and the Beast” director
The gaystapo’s relentless effort to sway the masses to adopt its homosexual agenda has now reached critical mass and is seriously damaging young children. Disney has joined with the gaystapo to promote a lifestyle characterized by promiscuity, instability, and serious health effects to children.
Engaging in homosexuality was once considered by society to be a sinful, shameful, degenerate act, but now it doesn’t raise an eyebrow; it’s just 1 of the 12 sexual orientations listed on OKCupid.
Throughout history roughly 2 percent of women self-identified as lesbian or bisexual; today, nearly 15 percent of young women and girls self-identify as lesbian or bisexual.
“When teenage girls feel free to engage in blatantly sexual behavior with each other, we can be sure that some major boundary of sexual morality has been gravely damaged. The natural attraction between girls and boys has been so confused by public celebration of homosexuality and the various eroticisms of everyday life, that young people are now confused about something as simple and basic as heterosexual identity.”— Albert Mohler, President Southern Baptist Theological Seminary.
Recent studies have found that half of the United Kingdom’s young adults and a third of America’s young adults said they aren’t “100 percent heterosexual.” It was also found that the older a person is the less likely he or she is to have engaged in same-sex activity.
The homosexual a.k.a. LGBTQ community is growing larger all the time. Most Americans are clueless about how kids’ movies and television shows have been indoctrinating children to accept homosexuality. The X-Men movies have been doing it for years. The movies are an allegory about homosexual culture and homosexual rights, and the mutant superheroes are “stand-ins” for homosexual, lesbian, and transgender people.
The endgame for Disney and 20th Century Fox goes far beyond social acceptance. They want children to embrace homosexuality as normal and desirable.
“By representing same-sex attraction in this short but explicitly gay scene, the studio is sending out a message that this is normal and natural-and this is a message that will be heard in every country of the world, even countries where it’s still socially unacceptable or even illegal to be gay … It’s a step in the right direction and I applaud Disney for being brave enough to make it-and in doing so hopefully helping to change attitudes and bring about real social progress.”—Matt Cain, Attitude Magazine editor-in-chief
In other words, “Beauty and the Beast” and the X-Men movies are propaganda films meant to indoctrinate children, corrupt their morals, and entice them to experiment in homosexual sex. And based on the exponential rise in homosexual and bisexual behavior among millennials and younger people, it seems to be working quite well.
“They can’t cure us. You want to know why? Because there’s nothin’ to cure. Nothing’s wrong with you. Or any of us, for that matter.” – Storm, X-Men: The Last Stand
The man who said to vote your conscience and to vote for the candidate who best upholds Constitutional principles was resoundingly booed exiting the convention stage by party delegates.
Conversely the male who heads the PayPal corporation currently boycotting North Carolina because of its law restricting men from using women’s bathrooms and who shamelessly declared his pride for being a homosexual was applauded, cheered, and given a standing ovation by the delegates at the convention.
Those delegates who booed Ted Cruz and cheered Peter Thiel don’t belong to the party of Lincoln and Reagan nor do they represent its principles and values.
Those delegates belong to the Party of Trump and represent his progressive principles and New York values.
Trump has said on several occasions that he doesn’t need the party’s conservative base to win in November and doesn’t want their vote.
So I am honoring Mr. Trump’s request to not vote for him, and I encourage every principled conservative, evangelical, and patriot to do likewise.
The X-Men comics and movies are really an allegory about homosexual culture and a stealth way to introduce homosexual propaganda to the general public. The mutant superheroes push a homosexual rights message and are in fact “stand-ins” for homosexual, lesbian, and transgender people.
“Since the comic appeared in the 60s, pop-culture critics have drawn parallels between the mutants’ struggle to gain wider acceptance for being genetically ‘different,’ and the gay community’s struggle for acceptance and recognition.”
Most of the homosexual propaganda in the X-Men movies can be attributed to Bryan Singer, the out-of-the-closet homosexual who directed “X-Men,” “X2: X-Men United,” and “X-Men: Days of Future Past,” and produced of “X-Men First Class.”
“[W]hat better way than in a giant, action, summer event movie! I could think of no better place to spill out one’s own personal problems and foist them onto the world … “—Bryan Singer
The accused pederast director/producer adapted his personal feelings of being alienated and ostracized as a homosexual to the homosexuality/homophobia subtext of the movie series.
“[Y]ou feel kind of alone in the world because you’re separate from everyone else. … A gay kid doesn’t discover he or she is gay until around puberty. And their parents aren’t gay necessarily, and their classmates aren’t, and they feel truly alone in the world and have to find, sometimes never find, a way to live.”— Bryan Singer
The X-Men movies have pushed homosexual issues into the mainstream. The parallels between the mutants’ struggle to gain wider acceptance for being genetically different, and the homosexual community’s struggle for acceptance and recognition are demonstrably obvious.
“Like queers, these mutants discover their ‘difference’ during puberty and struggle to hide it from friends and family. They forge their self-identity when they meet others like them. And they grow up learning to fight the system that shuns and persecutes them.”—Helmi
For the X-Men, mutation is a pressing social issue and telling the world one is a mutant is a serious matter when most people are “mutantphobes.” “X2: X-Men United” presents a coming-out scene, complete with confusion and mutantphobia, when Bobby Drake, aka Iceman, and fellow mutants visit his family.
The “Have you ever tried not being a mutant” scene is the rhetorical equivalent of a homosexual, lesbian, or bisexual teenager’s “coming out” ritual. Like members of the homosexual community, mutants who go public risk family rejection, political and social marginalization, and physical violence.
Singer and the X-Men screen writers are portraying X-Men muntantcy and their struggle for acceptance in society as analogous to the homosexual community’s quest to make homosexuality the moral equivalent of heterosexuality.
In the article “Making Gay Sense of X-Men,” homosexual author William Earnest, writes “Singer and his screenwriters equipped X-Men and X2 with the rhetorical stealth needed to fly below the gaydar of many critics and audience members.”
In a Facebook comment, “X-Men: First Class” screenwriter Zach Stenz posted, “I helped write the movie, and can tell you the gay rights … allegory stuff was put in there on purpose.”
X-Men: First Class, the prequel for “X-Men” and “X2: X-Men United,” continued the subtext messages of mutants as an allegory for the homosexual community. When Hank McCoy’s coworkers find out that he’s a mutant, they ask him why he hid his identity. McCoy tells them, “You didn’t ask; I didn’t tell,” which of course is an obvious reference to the military’s now defunct policy of “Don’t Ask Don’t Tell.”
To lure openly gay activist actor Ian McKellen to play Magneto, Singer told him that mutants were comparable to struggling homosexuals and that X-Men is really about lesbain, gay, bisexual, and transgender people.
McKellen, an open homosexual and co-founder of the LGBT gay activist group Stonewall, admits that when he stays at hotels he tears out pages from the Bible that condemn homosexuality. McKellen told “Details” that a married couple had sent him a package containing 40 pages torn from Bibles attached to a string with instructions to be hung in the bathroom and used for toilet paper.
“The main thing is to talk about gayness until the issue becomes thoroughly tiresome . . . If you can get [straights] to think [homosexuality] is just another thing—meriting no more than a shrug of the shoulders—then your battle for legal and societal rights is virtually won.”
The second stage is to silence all expression and support for dissenting opinion; and the third stage is to convert the public by spreading propaganda via the media to the nation.
To get a better idea of how well the propaganda has been working, the X-Men film series has grossed over $3 billion worldwide, making it the 12th highest-grossing film franchise of all-time, and the sad reality is very few of the millions who saw the films knew that they were being indoctrinated in subversive homosexual propaganda.
Redefining marriage to include same-sex couples would allow for the definition to expand beyond recognition. If marriage is redefined as the union of consenting adults who profess to love each other, there is no principled reason to exclude others who want legal recognition and social acceptance of their unions.
The truth is same-sex marriage is a ruse. What homosexuals really want is moral equivalence with heterosexuals, and they are willing to destroy marriage, one of this nation’s most crucial institutions, in their no-holes-barred attempt to get it.
THE MILLSTONE DIARIES 
DISNEY CHILDREN’S MOVIE PROMOTES HOMOSEXUALITY
Posted in Latest Commentary, tagged 20th Century Fox, Albert Mohler, Attitude Magazine, Attitude Magazine editor-in-chief, Beauty and the Beast, Beauty and the Beast director, Bill Condon, bisexual, Disney, exclusively gay moment, Gaston, gaystapo, gaystapo propaganda, homosexual agenda, homosexual lifestyle, homosexuality, indoctrinating children, LeFou, lesbian, LGBTQ community, Matt Cain, millennials, mutant, mutant superheroes, OKCupid, President Southern Baptist Theological Seminary, same-sex activity, same-sex attraction, sidekick LeFou, Storm X-Men, superheroes, transgender, X-Men, X-Men films, X-Men movies, X-Men: First Class on March 16, 2017| Leave a Comment »
Disney Children’s Movie Promotes Homosexuality
By Jerry A. Kane
Disney’s remake of its children’s film “Beauty and the Beast” has a modern makeover with an updated socially progressive subplot. The film includes an “exclusively gay moment” scene between villain Gaston and his main sidekick, LeFou.
“LeFou is somebody who on one day wants to be Gaston and on another day wants to kiss Gaston. He’s confused about what he wants. It’s somebody who’s just realizing that he has these feelings.”—Bill Condon, “Beauty and the Beast” director
The gaystapo’s relentless effort to sway the masses to adopt its homosexual agenda has now reached critical mass and is seriously damaging young children. Disney has joined with the gaystapo to promote a lifestyle characterized by promiscuity, instability, and serious health effects to children.
Engaging in homosexuality was once considered by society to be a sinful, shameful, degenerate act, but now it doesn’t raise an eyebrow; it’s just 1 of the 12 sexual orientations listed on OKCupid.
Throughout history roughly 2 percent of women self-identified as lesbian or bisexual; today, nearly 15 percent of young women and girls self-identify as lesbian or bisexual.
“When teenage girls feel free to engage in blatantly sexual behavior with each other, we can be sure that some major boundary of sexual morality has been gravely damaged. The natural attraction between girls and boys has been so confused by public celebration of homosexuality and the various eroticisms of everyday life, that young people are now confused about something as simple and basic as heterosexual identity.”— Albert Mohler, President Southern Baptist Theological Seminary.
Recent studies have found that half of the United Kingdom’s young adults and a third of America’s young adults said they aren’t “100 percent heterosexual.” It was also found that the older a person is the less likely he or she is to have engaged in same-sex activity.
The homosexual a.k.a. LGBTQ community is growing larger all the time. Most Americans are clueless about how kids’ movies and television shows have been indoctrinating children to accept homosexuality. The X-Men movies have been doing it for years. The movies are an allegory about homosexual culture and homosexual rights, and the mutant superheroes are “stand-ins” for homosexual, lesbian, and transgender people.
The endgame for Disney and 20th Century Fox goes far beyond social acceptance. They want children to embrace homosexuality as normal and desirable.
“By representing same-sex attraction in this short but explicitly gay scene, the studio is sending out a message that this is normal and natural-and this is a message that will be heard in every country of the world, even countries where it’s still socially unacceptable or even illegal to be gay … It’s a step in the right direction and I applaud Disney for being brave enough to make it-and in doing so hopefully helping to change attitudes and bring about real social progress.”—Matt Cain, Attitude Magazine editor-in-chief
In other words, “Beauty and the Beast” and the X-Men movies are propaganda films meant to indoctrinate children, corrupt their morals, and entice them to experiment in homosexual sex. And based on the exponential rise in homosexual and bisexual behavior among millennials and younger people, it seems to be working quite well.
“They can’t cure us. You want to know why? Because there’s nothin’ to cure. Nothing’s wrong with you. Or any of us, for that matter.” – Storm, X-Men: The Last Stand
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