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The truth is leftists aren’t always stark raving mad. Once in a blue moon a leftist will have a brief moment of clarity and will say something that is both rational and true.

Recently, Bill Maher had such a moment on the Charlie Rose Show when he said that people who claim Islam is like other religions are naive and plain wrong. And back in 2009, CBS’s Late Night host David Letterman had his brief moment of clarity during an exchange with Bill O’Reilly.

In the back and forth, Letterman quoted from a New York Times feature on Glenn Beck where he had said, “if you take what I say as gospel, you’re an idiot.”

With the meekness and charm of a Vogue magazine editor, Letterman then said that O’Reilly was too smart to actually believe those populist, conservative views that he espouses to the folks.

“I think Glenn Beck, and maybe he got caught up in the moment of candor, but I think he speaks to this. I think you guys [O'Reilly, Beck, and Rush Limbaugh] know exactly what you’re doin’. You’ve been very successful at it, but the truth of it is you’re not speaking your conscience,” Letterman said.

“We’re charlatans is what you’re saying?” O’Reilly asked.

“It’s not charlatan; it’s show business,” Letterman said. … “This is why wrestling is popular,” he added.

This brief exchange between Letterman and O’Reilly is telling. Between the lines Letterman is saying that O’Reilly and the others have adopted personas, and that the majority of the people who listen to them do not know that. He also knows that many people have been conditioned by the media to adore these personas and to clap like trained seals when they’re around them.

Letterman is saying that the people who listen to talk show hosts believe that their personas reflect who they truly are in real life. Letterman is saying that when they’re not hosting a show or in the public eye, they may hold opinions and beliefs that actually contradict those they express on their shows.

O’Reilly, Beck, and Limbaugh know their niche audience, and they created personas to reflect the values, beliefs, and ideals of that audience. If they actually held the principles and convictions they espouse on their shows, they’d be working feverously to save this country from destruction instead of lining their pockets.

For the uninitiated, David Letterman exposed the underbelly of the beast, and the beast is show business. Like it or not, talk show hosts are entertainers in the entertainment industry and are not principled patriots whose love of country supersedes their self interest.

The following lyrics are meant to be sung to the tune of The Byrds’ “Drug Store Truck Drivin’ Man“:

They’re America’s friend, they talk on week days

But they sure do think different from the words that they say.

They’re political commentators who pine for this land

And why they’re successful, I can’t understand


This 17:29 clip is from The Millstone Report web cast that aired April 11, 2014, on the Resistance Radio Network.

Ray Rice has become “Peck’s Bad Boy” for a deteriorating National Football League. When the first video of him dragging his unconscious fiancée out of an elevator appeared in July, NFL Commissioner Roger Goodell slapped Rice’s wrist with a two game suspension.

Goodell went on to revise the league’s disciplinary policy regarding domestic violence to include a minimum six-game suspension or more for the first infraction and up to a lifetime ban for the second, with the prospect of yearly appeals.

But now that a longer version of the video has surfaced showing Rice administering a left jab to the jaw of his future wife, “Jolly Roger” stepped to the mic and said that “domestic violence and sexual assault are wrong … illegal … unacceptable … under any circumstances … [and] have no place in the NFL …” He then suspended the Baltimore Raven indefinitely for the knock punch.

On first blush the zero tolerance policy along with the indefinite suspension of Rice looks like the NFL has taken appropriate measures and is moving in the right direction, but the truth is many abusers of women continue to play football in the league.

For example, Rice’s teammate Terrell Suggs has had two incidents with his then-girlfriend and now wife. In 2009, he allegedly, “threw a soap dispenser at her head, hit her in the chest with his hand, and held a bottle of bleach over her and their 1-year-old son.” In 2012, the All-Pro linebacker “punched her in the neck and dragged her alongside a speeding car with their two children in the vehicle.”

Earlier this summer, Carolina Panthers Pro Bowl defensive end Greg Hardy was convicted of assaulting his girlfriend and threatening her life. Chicago Bears wide receiver Brandon Marshall has a rap sheet and has been charged twice for domestic violence.

Miami Dolphins defensive tackle Randy Starks hit his fiancée; Dallas Cowboys wide receiver Dez Bryant hit his mother; Arizona Cardinals defensive end Frostee Rucker was twice charged with spousal battery; and San Francisco 49ers defensive tackle Ray McDonald was arrested for domestic violence just 72 hours after Goodell announced the league’s revised policy.

And these players rest at the tip of the iceberg. U-T San Diego reviewed hundreds of news reports involving NFL players since 2000 and compiled a list of arrests and citations that were more serious than speeding tickets.

It appears the reason Ray Rice has become the league’s “Peck’s Bad Boy” is that his “infraction” was caught on camera for the world to see. As Steve Doocy of Fox & Friends quipped, “the message is, when you’re in an elevator, there’s a camera.”

In other words, as long as players don’t get caught knocking out women on camera for the world to see, they’re cleared to play football in the NFL.


In a feature segment titled “Homework Helper: Math Tips for the Common Core,” on NBC affiliate WGZR Channel 2 in Buffalo, New York, a fourth grade math teacher, Eileen Klag Ryan from Maple West Elementary in Williamsville, explains how to add 9+6 using base ten.

According to Ryan, young students might be uncomfortable solving a simple addition problem such as 9+6, but will be “quite comfortable thinking about their friend 10 because they’ve been working in a base 10 system in the earlier grades.

In the video, Ryan explains how common core math teaches students to decompose the 6 and partner the 9 to a 1 so they can anchor to their friend 10 and see what 9+6 is.

“Partner, anchor, decompose? That’s not math. That’s ‘The Silence of the Lambs!‘” quipped Greg Gutfeld on Fox News’ “The Five”



And here’s another simple arithmetic equation solved by using Common Core math:

John Morgan, the primary fundraiser for Democrat Charlie Crist’s 2014 bid for Governor of Florida and slated to be the state’s next Attorney General, went on a drunken, curse-laden rant for medical marijuana.

“I’m trying to legalize medical marijuana. I’m not just here to do it, I’m here to fuckin’ do it,” Morgan said. “We’re not just gonna do it. We’re gonna fuckin’ do it,” he added.

Morgan urged the crowd in support of Florida’s medical marijuana initiative to “get outta your goddamn bed and vote, [or] we will lose this election.”

“If you mother fuckers don’t get up and vote, fuck it all; we can’t win, I’m tellin’ you,” Morgan said.

Morgan explained to the crowd that he had gone to the Outback Steakhouse and was supposed to go home, but he “got fucked up [instead].”

“And now I’m back up here. Shit happens,” Morgan said.

Morgan is the boss of former Governor Crist, and he was also a major fundraiser for Hussein Obama, whorehouse Harry Reed, and the boy president Bill Clinton.

The Democrat controlled media will censor this story to protect Crist and Morgan, so this video needs to go viral.

If Florida voters don’t get to see this video and Crist becomes governor, this foul-mouthed, low-life lush will become the state’s next Attorney General.



 

The following video shows two women NYPD cops attempting to arrest a black man who allegedly committed assault. Their attempt was nothing short of embarrassing and pathetic.



For years rumor mills have circulated accounts that political correctness had created lax fitness standards for NYPD recruits, and now that New York City’s leftist mayor Bill DeBlasio’s revised policy allows for two females to be partnered together instead of the previous requirement that a female cop had to be partnered with a male, it’s no wonder that such an embarrassing scene occurred.

Years ago, NYPD cops were big, burley, and tough as nails, and now … well, they’re just not. Welcome to your nightmare, America. And be sure to get the lights on the way out.

I.M. Kane

The X-Men comics and movies are really an allegory about homosexual culture and a stealth way to introduce homosexual propaganda to the general public. The mutant superheroes push a homosexual rights message and are in fact “stand-ins” for homosexual, lesbian, and transgender people.

“Since the comic appeared in the 60s, pop-culture critics have drawn parallels between the mutants’ struggle to gain wider acceptance for being genetically ‘different,’ and the gay community’s struggle for acceptance and recognition.”

Most of the homosexual propaganda in the X-Men movies can be attributed to Bryan Singer, the out-of-the-closet homosexual who directed “X-Men,” “X2: X-Men United,” and “X-Men: Days of Future Past,” and produced of “X-Men First Class.”

“[W]hat better way than in a giant, action, summer event movie! I could think of no better place to spill out one’s own personal problems and foist them onto the world … “—Bryan Singer

The accused pederast director/producer adapted his personal feelings of being alienated and ostracized as a homosexual to the homosexuality/homophobia subtext of the movie series.

“[Y]ou feel kind of alone in the world because you’re separate from everyone else. … A gay kid doesn’t discover he or she is gay until around puberty. And their parents aren’t gay necessarily, and their classmates aren’t, and they feel truly alone in the world and have to find, sometimes never find, a way to live.”— Bryan Singer

The X-Men movies have pushed homosexual issues into the mainstream. The parallels between the mutants’ struggle to gain wider acceptance for being genetically different, and the homosexual community’s struggle for acceptance and recognition are demonstrably obvious.

“Like queers, these mutants discover their ‘difference’ during puberty and struggle to hide it from friends and family. They forge their self-identity when they meet others like them. And they grow up learning to fight the system that shuns and persecutes them.”—Helmi

For the X-Men, mutation is a pressing social issue and telling the world one is a mutant is a serious matter when most people are “mutantphobes.” “X2: X-Men United” presents a coming-out scene, complete with confusion and mutantphobia, when Bobby Drake, aka Iceman, and fellow mutants visit his family.

The “Have you ever tried not being a mutant” scene is the rhetorical equivalent of a homosexual, lesbian, or bisexual teenager’s “coming out” ritual. Like members of the homosexual community, mutants who go public risk family rejection, political and social marginalization, and physical violence.

Singer and the X-Men screen writers are portraying X-Men muntantcy and their struggle for acceptance in society as analogous to the homosexual community’s quest to make homosexuality the moral equivalent of heterosexuality.

In the article “Making Gay Sense of X-Men,” homosexual author William Earnest, writes “Singer and his screenwriters equipped X-Men and X2 with the rhetorical stealth needed to fly below the gaydar of many critics and audience members.”

In a Facebook comment, “X-Men: First Class” screenwriter Zach Stenz posted, “I helped write the movie, and can tell you the gay rights … allegory stuff was put in there on purpose.”

X-Men: First Class, the prequel for “X-Men” and “X2: X-Men United,” continued the subtext messages of mutants as an allegory for the homosexual community. When Hank McCoy’s coworkers find out that he’s a mutant, they ask him why he hid his identity. McCoy tells them, “You didn’t ask; I didn’t tell,” which of course is an obvious reference to the military’s now defunct policy of “Don’t Ask Don’t Tell.”

To lure openly gay activist actor Ian McKellen to play Magneto, Singer told him that mutants were comparable to struggling homosexuals and that X-Men is really about lesbain, gay, bisexual, and transgender people.

“I think he expected that I was going to consider it a not posh-enough job. I thought he was right. It’s not just a fantasy story. It’s a parable.”—Ian McKellen

McKellen, an open homosexual and co-founder of the LGBT gay activist group Stonewall, admits that when he stays at hotels he tears out pages from the Bible that condemn homosexuality. McKellen told “Details” that a married couple had sent him a package containing 40 pages torn from Bibles attached to a string with instructions to be hung in the bathroom and used for toilet paper.


 

 


In their book, After the Ball: How America Will Conquer Its Fear and Hatred of Gays in the 90’s, Marshall Kirk and Hunter Madsen describe a 3-stage plan to further the homosexual agenda and homosexualize America.

The first stage is to desensitize the public:

“The main thing is to talk about gayness until the issue becomes thoroughly tiresome . . . If you can get [straights] to think [homosexuality] is just another thing—meriting no more than a shrug of the shoulders—then your battle for legal and societal rights is virtually won.”

The second stage is to silence all expression and support for dissenting opinion; and the third stage is to convert the public by spreading propaganda via the media to the nation.

To get a better idea of how well the propaganda has been working, the X-Men film series has grossed over $3 billion worldwide, making it the 12th highest-grossing film franchise of all-time, and the sad reality is very few of the millions who saw the films knew that they were being indoctrinated in subversive homosexual propaganda.

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